A series of multidisciplinary encounters devoted to the themes of care and caring
Active
David Graeber Institute Art Collection
The DGI art collection is here to organize open calls, commissioned art projects, help to organise APTART exhibitions, and to find connecting with potential collaborators
Carnival: reading group and talks
This room is a continuation of the carnivalesque rooms and projects initiated by the Museum of Care and DGI. It combines the format of public talks and a closed reading group.
MADE DIFFERENTLY
In thousands of ways, we are taught to accept the world we live in as the only possible one, but thousands of other ways of organizing homes, cities, schools, societies, economies, cosmologies, have and could exist. The series of books Made Differently… is designed to play with possibility and to overcome the suspicion, instilled in…
THE ULTIMATE HIDDEN TRUTH OF THE WORLD…
A room dedicated to David Graeber’s latest collection of essays The Ultimate Hidden Truth of the World Is…
Pedagogies of Care
What do these true educational resources, from which we may learn collectively, have in common and how do they differ from the mainstream pedagogical approaches based on competition, separation and control?
Playgrounds – the history of public art projects and the City of Care
The playground in an amazing way gathers the hopes and despair of today's society, perhaps much more than any other public art project because it needs fewer resources to build and it immedially accessible to the public.
Fetish and Value
In this room, we discuss David's ideas about value and fetishism as social creativity.
Debt: The First 5,000 Years
The room is dedicated to the discussion of the concept of debt as present in David Graeber’s “Debt: The First 5,000 Years,” as well as in other texts.
Late Soviet Temporalities
Why should we care about time? Are time at work and time off still the same time? How does time shape how we live, speak and perceive the world? How does it feel to have no future? And what about being stuck in the past? The room explores these questions by drawing on late socialist experiences.